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Frieze #248

Frieze magazine was set up in the early nineties. It is one of the best UK based magazines devoted to bringing the reader up to date with the latest art and culture. Frieze is published eight times a year and will contain honest reviews and articles by today’s radical writers, curators and artists. Frieze contains features on all the arts from visual to music.

The January/February issue of frieze writer Philippa Snow pens a tribute to artist Linder ahead of her retrospective at the Hayward Gallery in London. Plus, Emily LaBarge, Lucy Ives, Amy Sillman and editor-in-chief Andrew Durbin dedicate a Festschrift to Joan Mitchell in honour of the artist’s centenary.

‘There is something powerful about a woman who is capable of caring about style and substance, embodying beauty and expressing a beastly kind of anger.’ Philippa Snow reflects on the lasting influence of the artist’s feminist photomontages.

‘Some strokes are lucky, some are unlucky; Mitchell paints over the unlucky ones, and then keeps going through this sea of unknowing that is making a painting.’ Four writers and artists celebrate the life and bold artistic practice of the late American painter.

Zoë Hopkins profiles artist Renée Green ahead of her first major solo museum presentation in the US at Dia Beacon, New York. Joshua Segun Lean pens a thematic essay on the complicated politics of biennials. Plus, as he gears up for a major solo exhibition at Pirelli HangarBicocca in Milan, Tarek Atoui speaks to musician C. Spencer Yeh about the role of education, collaboration and hospitality in his work.

Iarlaith Ní Fheorais profiles P. Staff whose discomforting practice interrogates quotidian violence, Kiri Dalena outlines the revolutionary power of speech as activist retaliation, Shiv Kotecha highlights Bassem Saad and Sanja Grozdanić’s performance Permanent Trespass (Beirut of the Balkans & the American Century), poet Holly Pester reviews Alva Gotby’s upcoming book, Feeling at Home (2025), which tackles the contemporary housing crisis, Andreas Petrossiants interviews Beatriz Santiago Muñoz on the potential of nonsense and disorder.

Finally, ahead of Paul McCarthy’s exhibition at Hauser & Wirth, London, Jonathan Griffin looks at his disturbing new video A&E, Adolf & Eva / Adam & Eve, The Counter 2, 28:32 (2024). Plus, Amy Sillman contributes to our series of artists’ ‘to-do’ lists and associate editor Chloe Stead pens a postcard from Berlin.