£22.00
CROSSCURRENT #2
210 mm x 270 mm, 340 pages
First published 2022
Biannual
Editor-in-chief: Clarke Rudick
Art direction and design: Aiden Miller
Cover: Kiki Willems by Letty Schmiterlow
'A manual resource for discovery'
New 'fashion, art, architecture and ideas' publication Crosscurrent holds within it a collection of alluring images, interviews and well- and lesser-known individuals. In fact, there's plenty to be found in this surprising, self-identified 'manual resource for discover.'
This second issue began with a line from Roland Barthes' Camera Lucida: 'The noise of time is not sad' and is applied both to Western culture and, most interestly, to the 'act of making a magazine, a temporal object whose creation is completely encumbered by time.' Featuring Ari Marcopoulos, Nikita Gale, Saskia de Brauw, Eliot Duncan – to name but a few.
And the name? 'Crosscurrent' noun. 'A conflicting tendency. A current running counter to the general forward direction.'
First published 2022
Biannual
Editor-in-chief: Clarke Rudick
Art direction and design: Aiden Miller
Cover: Kiki Willems by Letty Schmiterlow
'A manual resource for discovery'
New 'fashion, art, architecture and ideas' publication Crosscurrent holds within it a collection of alluring images, interviews and well- and lesser-known individuals. In fact, there's plenty to be found in this surprising, self-identified 'manual resource for discover.'
This second issue began with a line from Roland Barthes' Camera Lucida: 'The noise of time is not sad' and is applied both to Western culture and, most interestly, to the 'act of making a magazine, a temporal object whose creation is completely encumbered by time.' Featuring Ari Marcopoulos, Nikita Gale, Saskia de Brauw, Eliot Duncan – to name but a few.
And the name? 'Crosscurrent' noun. 'A conflicting tendency. A current running counter to the general forward direction.'
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